By Tijana Mamula
Cinema and Language Loss presents the 1st sustained exploration of the connection among linguistic displacement and visuality within the filmic realm, reading intensive either its formal expressions and theoretical implications.
Combining insights from psychoanalysis, philosophy and movie concept, the writer argues that the circulate from one linguistic surroundings to a different profoundly destabilizes the subject’s relation to either language and fact, leading to the hunt for an alternative to language in imaginative and prescient itself – a reversal, because it have been, of conversing into seeing. The dynamics of this shift are rather glaring within the works of many displaced filmmakers, which frequently appear a conflicted interplay among language and imaginative and prescient, and during this query the signifying strength, and the perceptual ambiguities, of cinema itself.
In tracing the come upon among cinema and language loss throughout quite a lot of movies – from Billy Wilder’s Sunset Boulevard to Chantal Akerman’s News from domestic to Michael Haneke’s Caché – Mamula reevaluates the position of displacement in postwar Western movie and makes an unique contribution to movie thought and philosophy in response to a reconsideration of where of language in our adventure and knowing of cinema.
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Extra resources for Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge Advances in Film Studies)
Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge Advances in Film Studies) by Tijana Mamula